Video Examples for Syncopation Companion

SECTION ONE – SNARE DRUM

Chapter 1 – Common Snare Drum Rudiments as Applied to Syncopation

Example #1A

 

Example #1B

 

Example #2A-1 Double Stroke Sticking

 

Example #2A-1 Single Stroke Sticking

 

Example #2B-1 Double Stroke Sticking

 

Example #2B-1 Single Stroke Sticking

 

Example #2B-1 Inverted Double Stroke Sticking

 

Example #2B-2

 

Example #3A-1 Double Stroke Sticking

 

Example #3A-1 Single Stroke Sticking

 

Example #3A-2

 

Example #3A-3 Double Stroke Sticking

 

Example #3A-3 Single Stroke Sticking

 

Example #3A-4

 

Example #3B-1 Double Stroke Sticking

 

Example #3B-1 Single Stroke Sticking

 

Example #3B-1 Inverted Double Stroke Sticking

 

Example #3B-2

 

Example #3B-3 Double Stroke Sticking

 

Example #3B-3 Single Stroke Sticking

 

Example #3B-3 Inverted Double Stroke Sticking

 

Example #3B-4

 

Example #4A-1 Double Stroke Roll

 

Example #4A-1 Single Stroke Roll

 

Example #4A-2

 

Example #4B-1 Double Stroke Sticking

 

Example #4B-1 Single Stroke Sticking

 

Example #4B-2

 

Example #5A-1

 

Example #5A-2

 

Example #5B-1

 

Example #5B-2

 

Example #6A

 

Example #6B

 

Example #7A-1 Double Stroke Sticking

 

Example #7A-2

 

Example #7A-3

 

Example #7B-1 Double Stroke Sticking

 

Example #7B-1 Single Stroke Sticking

 

Example #7B-1 Inverted Double Stroke Sticking

 

Example #7B-2

 

Example #7B-3

 

Example #8A-1

 

Example #8A-2

 

Example #8B-1

 

Example #8B-2

 

Example #8C-1

 

Example #8C-2

 

Example #9A-1 Double Stroke Sticking

 

Example #9A-1 Single Stroke Sticking

 

Example #9A-2

 

Example #9A-3

 

Example #9B-1 Double Stroke Sticking

 

Example #9B-1 Single Stroke Sticking

 

Example #9B-1 Inverted Double Stroke Sticking

 

Example #9B-2

 

Example #9B-3

 

Example #10A-1 Double Stroke Sticking

 

Example #10A-1 Single Stroke Sticking

 

Example #10A-2

 

Example #10B-1 Double Stroke Sticking

 

Example #10B-1 Single Stroke Sticking

 

Example #10B-2

 

Example #11A

 

Example #11B

 

Example #11C

 

Example #11D

 

Example #12A

 

Example #12B

 

Example #13

 

Example #14

 

Example #15 Double Stroke Sticking

 

Example #15 Single Stroke Sticking

 

Example #15 Inverted Double Stroke Sticking

 

Example #16A Double Stroke Sticking

 

Example #16A Single Stroke Sticking

 

Example #16B Double Stroke Sticking

 

Example #16B Single Stroke Sticking

 

Example #17A Double Stroke Sticking

 

Example #17A Single Stroke Sticking

 

Example #17B Double Stroke Sticking

 

Example #17B Double Stroke Sticking

 

Chapter 2 – Buzz Rolls, Ruffs and Flams Applied to Syncopation

Example #18A

 

Example #18B

 

Example #19

 

Example #20A Sticking One

 

Example #20A Sticking Two

 

Example #20B

 

Example #20C

 

Example #21A

 

Example #21B

 

Example #22A Sticking One

 

Example #22A Sticking Two

 

Example #22A Sticking Three

 

Example #22B

 

Example #22C

 

Example #23A

 

Example #23B-1

 

Example #23B-2

 

Example #23B-3

 

Example #24A

 

Example #24B-1

 

Example #24B-2

 

Example #24B-3

 

Example #25A

 

Example #25B

 

Example #26A

 

Example #26B

 

Example #26C

 

Example #27A

 

Example #27B

 

Example #27C

 

Example #28A

 

Example #28B

 

Example #29A

 

Example #29B

 

Example #29C

 

Example #30

 

Example #31A Sticking One

 

Example #31A Sticking Two

 

Example #31B Sticking One

 

Example #32A

 

Example #32B

 

Example #33

 

Example #34A

 

Example #34B Sticking One

 

Example #34B Sticking Two

 

Example #34C Sticking One

 

Example #34C Sticking Two

 

Chapter 3 – Sticking and Endurance Exercises

Example #35

 

Example #36

 

Example #37

 

Example #38

 

Example #39

 

Example #40A

 

Example #40B

 

Example #41

 

Example #42

 

Example #43

 

Example #44A

 

Example #44B

 

SECTION TWO – DRUMSET

Chapter 4 – Linear Applications with Bass Drum Fill-Ins

Example #45A-1 Double Stroke Sticking

 

Example #45A-1 Single Stroke Sticking

 

Example #45A-2 Double Stroke Sticking

 

Example #45A-2 Single Stroke Sticking

 

Example #45B-1 Double Stroke Sticking

 

Example #45B-2 Double Stroke Sticking

 

Example #45B-2 Single Stroke Sticking

 

Example #45B-2 Inverted Double Stroke Sticking

 

Example #45B-3 Sticking One

 

Example #45B-3 Sticking Two

 

Example #45B-3 Sticking Three

 

Example #46A-1

 

Example #46A-2

 

Example #46B-1

 

Example #46B-2

 

Example #47A-1

 

Example #47B-1

 

Example #47B-2

 

Example #47C-1

 

Example #48A-1 Double Stroke Sticking

 

Example #48A-1 Single Stroke Sticking

 

Example #48A-2 Double Stroke Sticking

 

Example #48A-2 Single Stroke Sticking

 

Example #48A-3 Cross Stick

 

Example #48B-1 Double Stroke Sticking

 

Example #48B-1 Single Stroke Sticking

 

Example #48B-1 Inverted Double Stroke Sticking

 

Example #48B-2 Double Stroke Sticking

 

Example #48B-2 Single Stroke Sticking

 

Example #49A-1 Double Stroke Sticking

 

Example #49A-2 Double Stroke Sticking

 

Example #49A-2 Single Stroke Sticking

 

Example #49B-1 Double Stroke Sticking

 

Example #49B-1 Single Stroke Sticking

 

Example #49B-1 Inverted Double Stroke Sticking

 

Example #49B-2 Double Stroke Sticking

 

Example #50A-1

 

Example #50B-1

 

Example #50B-2

 

Example #51A-1 Double Stroke Sticking

 

Example #51A-1 Single Stroke Sticking

 

Example #51A-2 Double Stroke Sticking

 

Example #51A-2 Single Stroke Sticking

 

Example #51B-1 Double Stroke Sticking

 

Example #51B-1 Single Stroke Sticking

 

Example #51B-1 Inverted Double Stroke Sticking

 

Example #51B-2 Double Stroke Sticking

 

Example #51B-2 Single Stroke Sticking

 

Example #51B-2 Inverted Double Stroke Sticking

 

Chapter 5 – Drumset Applications of Syncopation

Example #52A

 

Example #52B

 

Example #52C

 

Example #52D

 

Example #53A

 

Example #53B

 

Chapter 6 – Applying Syncopation to Jazz Comping on the Drumset

Example #54A

 

Example #54B

 

Example #54C

 

Example #55A-1

 

Example #55A-2

 

Example #55B-1

 

Example #55B-2

 

Example #56A

 

Example #56B

 

Chapter 7 – Exploring the Quarter Note Interpretation of Syncopation on the Drumset

Example #57A

 

Example #57B

 

Example #57C

 

Example #58A

 

Example #58B

 

Example #59A

 

Example #59B

 

Example #60A

 

Example #60B

 

Example #60C

 

Example #61A

 

Example #61B

 

Example #62

 

Example #63

 

Example #64A

 

Example #64B

 

Example #65A

 

Example #65B

 

Example #66

 

Example #67A

 

Example #67B

 

Example #67C

 

Example #68A

 

Example #68B

 

Example #69A

 

Example #69B

 

Chapter 8 – Syncopated Ride Cymbal Variations

Example #70A

 

Example #70B

 

Example #71A

 

Example #71B

 

Example #71C

 

Example #72A

 

Example #72B

 

Example #72C

 

Example #73A

 

Example #73B

 

Example #74

 

Example #75

 

Example #76A

 

Example #76B

 

Example #76C

 

Example #77A

 

Example #77B

 

Chapter 9 – Playing Broken Time with Syncopation

Example #78A

 

Example #78B

 

Example #78C

 

Example #79A

 

Example #79B

 

Example #80A

 

Example #80B

 

Example #81

 

Example #82

 

Example #83

 

Example #84

 

Example #85A

 

Example #85B

 

Chapter 10 – Bass Drum Applications with Ostinatos

Example #86

 

Example #87

 

Example #88

 

Example #89

 

Example #90

 

Example #91

 

Chapter 11 – Bossa Nova and Samba Applications of Syncopation

Example #92

 

Example #93

 

Example #94

 

Example #95

 

Example #96A

 

Example #96B

 

Chapter 12 – Afro Cuban Applications of Syncopation

Example #97A

 

Example #97B

 

Example #97C

 

Example #97D

 

Example #98

 

Example #99

 

Example #100

 

Example #101A

 

Example #101B

 

Example #101C

 

Example #102